SIC SEMPER TYRANNIS
Her opponent is of medium build (thirty two inches to be exact) whilst Virgil stands large at thirty six. The woman knows that size and strength will be her advantage here, and she hopes that her expertise will as well (although she knows not if it is useful against this male; she may now be familiar with Katja?s style, but she is unaware of the prowess of the strange male she fights).
A shoulder collides with her left hip. Moderate bruising blossoms there, and Virgil lets the hit of Katja?s blow push Virgil to her own right. Her hips pivot rightward with the force, but her defenses gather and stabilize her; her three grounded legs spread equally apart, weight evenly distributed across them. Toes spread, claws bite into the soil for traction, hackles raise, tail lashes out behind her, shoulders roll, head lowers to align with her spine, shoulders roll, neck scrunches, chin tucks, jaws part, eyes narrow, ears pin backwards, lips curve up slightly to form a snarl, muscles tense in preparation for movement. Although Virgil?s hips had initially moved rightward as a result of the force of Katja?s blow, she stabilizes her movement, and keeps pivoting her hips rightward in an effort to keep both opponents within view. Perhaps if Katja had hit from Virgil?s right the woman might have toppled; it is her front left leg off of the ground, after all. However, Katja?s force had merely pushed into Virgil?s two grounded right legs, and thus the Olympian merely bounced with the force.
Katja?s jaws cut moderate lacerations upon her mid-ribs; perhaps it would have been a grip, had Virgil not been in pivot forced by Katja?s own shoulder that pushed her the opposite direction of Katja?s jaws, and had she not continued that pivot after the initial shove. Virgil?s shoulder hits Kapra?s chest, and she feels victory. The area she hits is fleshy, not bone, and so only light bruising occurs upon her own shoulder.
Kaprasius?s attack comes as no surprise; no fool would leave his throat unguarded. Alas, she does not stay stationary. She shoves her head forwards and up, seeking to grasp onto the male?s front lower right limb (she aims around the center of the lower right limb) with her jaws. Her legs seek to carry her forwards, seeking to carry the golden woman beneath the tan heathen, her limbs bending and seeking to pull her into a crouch (for the heathen lifts up, perhaps granting her enough room to worm her way beneath, but she wishes to be certain that she can attempt to get beneath him). Skull shoves upwards, hoping to slam the crown of her head into his front right-side chest, aiming behind his right front arm, hoping to have a grip on his right leg. Her intent? To contort his right limb beneath him and shatter it with great force, whilst also slamming at his chest so as to perhaps encourage his right shoulder to also dislocate. Her movements are attempted to be swift.
As for Kaprasius?s attempted attack, when Virgil had shoved forwards in her attempted attack (which she aimed to attempt at a sort of V-like angle with Kaprasius?s right front limb, hoping that his leg and her snout would form the vertex), the attack had lost its ability to maim. Not to mention the potential size differences; Virgil was large in size and Kaprasius was medium in size. Virgil did not know certainly, but she felt as if the male?s jaws ought to be smaller than her own, and thus not capable of wrapping around her jaws as they had been parted in attack. Alas, the goddess is not all-knowing, no matter her own opinion of herself. Not to mention Virgil?s head had been tilted to her own right, and during the pursuit of her attempt on Kapra?s right front leg she tilted it to her own left.
Thus, the tan male?s top jaw had landed on her top snout, but her forward motion and rightward pivot had prevented his grip. His top jaw worsened the lacerations already there; the thin tissue gave way to the bone, blood heavily flowing. His bottom jaw scores along her lower right-side lip, tearing the flesh there moderately. However, her forward motion prevents them from crushing her jowls together. She does not both with Katja; it is not her insolence being punished here. Virgil seeks to end this foolishness now; the ebon woman is not involved in this fight. It is between Virgil and her idiot relative, and if they wish to assert it has nothing to do with Katja?s loss, the goddess has little understanding as to why Katja herself seeks to get involved. To the woman, this is just a cowardly blow at trying to fix the ebon woman?s ego and incompetency, seemingly a planned move. The goddess cares little; she will defeat them all the same, in her own arrogant mind.
2/2